a primer to music pop culture from the eighties to the noughties

Month: June 2022

Organic Robotic Love

Originally released on her 1997 album “Homogenic”, Björk re-released “All Is Full Of Love” as a single in 1999, accompanied by a video (with a slightly different version) that featured what was back then certainly the most stunning computer animation that had ever been seen outside of lab demos. I remember being completely wowed when it first flickered across my screen. It would go on to be presented in art exhibitions and even was on display in New York City’s Museum of Modern Arts.

The song was written as an ode to spring, as Björk had spent a rough six winter months in the Icelandic mountains and was very glad to hear birds sing again on a cold April morning walk. And Chris Cunningham, having been approached by Björk to film the video, took up the theme of procreation for the video, ingeniously finding a way to make it quite explicit, yet in a way that would not incite censor’s wrath.

Blowing With A Dull Roaring Sound

As you hopefully are aware the pivotal reason for deciding this internal education is highly needed was “Running Up That Hill” by Kate Bush gaining so much traction in the charts worldwide due to it’s prominent inclusion in Stranger Things’ fourth season. However, while that is of course a great Kate Bush song, it is not the Kate Bush song.

Named after a 1847 novel by Emily Brontë Kate wrote “Wuthering Heights” at the tender age of 18. While she had been writing songs for seven years by then and was gaining traction as a protégé of Pink Floyd’s very own David Gilmour, this was the song that definitely catapulted her into the public spotlight, where she remains to this day even though she has been keeping unconventional and experimental throughout her career.

As we’re trying to educate: Read the book! I promise, you’ll understand Kate’s performance much better once you did so.

The Mannequin Band

While it’s a simple enough concept, the video to Robert Palmer’s “Addicted to Love” back in 1986 provided us with a proper “WTF” moment. It certainly was one of the most noted ones of the era.

The concept of five models of the time as a – quite obviously fake – band was so iconic, that it would be recycled by Robert Palmer in two further videos – but much more noteably in 2003’s epic rom-com “Love Actually”, where the video is parodied by models going one step further when it comes to blank expressions, to the point of being obviously bored to death.

When Music Videos were News-Worthy

November 11th, 1991 marked the 15th birthday of a close friend of mine. But that’s not what I remember the day for. What stood out that day was the news on the telly, specifically 10vor10, which back then was a fairly new addition to the Swiss news scene, outfitted with an extraordinary permission to experiment a bit. And so they did:

As one of a select few television channels in the world DRS (as the channel was called back then) was allowed to broadcast Michael Jackson’s newest video: “Black or White”. It would be featuring mind-numbing “morphing” technology on faces – something a room full of computers had been working on for months, as the presenter, Walter “index finger of the nation” Eggenberger, was proud to inform us. Sure, it wasn’t the moon-landing, but it was presented in a similar way and including the introduction it took up more than half of the 30 minutes the programme was allotted.

So we sat. And we watched. And we saw Macaulay – you might never have heard that name, but he is the sole reason for any of your friends – well, these days probably: your uncles – being called Kevin. Branding a pristine Gibson’s guitar. And then there were Tess Harper, John Goodman, Tyra Banks!

We were properly impressed at the time.

Yes, you do have to watch it to the end. And no, we did not understand those last four minutes either.

The video that would define a genre

No, it was not the first video by far to accompany a song. MTV had existed for a good five years by the time Peter Gabriel’s “Sledgehammer” came out in 1986. Nevertheless, this was a game-changer. Combining a number of techniques that had been tried out tentatively before, this video would become the definition of what the term “Music-Video” would mean in the future. It featured heavily in MTV’s then-famous self-referential clips. It required Peter, at the time still mostly of Genesis-fame, to spend 16 hours lying under a glass sheet and it won 9 MTV awards in 1987, to this day the most any video ever won.

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