a primer to music pop culture from the eighties to the noughties

Month: August 2022

Rehab, California Style

Michael “Flea” Balzary and Anthony Kiedis formed their band “Tony Flow and the Miraculously Majestic Masters of Mayhem” in 1983 when they were classmates at Fairfax High School. It would undergo a fair number of changes before becoming the group that is known these days as the “Red Hot Chilli Peppers”: to the name and personnel, but also to their musical style (with Maceo Parker and Fred Wesley playing on their second album) and quite noteably their lifestyles.

After their early modest success they had all been using heroin, but while most of the members somehow held together, the addiction took quite a toll on Kiedis. The band was already auditioning for a new singer when he managed to overcome the problem in rehab and rejoined them with new enthusiasm. As is often the case, he came down with bouts of depression, and when he drove home from a rehearsal session a few years later a poem came unto him, reminiscing about how he had been under the bridge he was just driving over a few years back, looking for drugs, and how he never wanted to get back to that low point in his life.

When producer Rick Rubin found the poem in Kiedis’ notebook he immediately saw potential, but the singer was reluctant. However, once he was persuaded to at least show it to his bandmates they immediately went to their respective instruments and started working on the song.

It kicked their career into high gear, out of the somewhat obscure Alternative Rock scene into mainstream. And when the video, directed by none other than Gus Van Sant entered heavy rotation on MTV they definitely had arrived in the olymp of pop music.

Straight Up The Charts

We already came across several pieces where the artist overruled their label when it came to song selection, video choices or track length, only to be proven absolutely right by commercial success. Paula Abdul’s “Straight Up” – which she only was allowed to record under the premise that she would also do two other songs she did not like chosen by the studio – fits right into the category.

Written by Elliot Wolff, a friend of her mother’s, the quality of the demo version was so bad that it went straight into the trash. But Abdul, who was primarily working as a choreographer at the time, fished it back out and recorded it in her bathroom (including, on the master tape, a performance of her neighbours who must have misheard the lyrics – they went for “Shut Up!” instead of “Straight Up”).

When the song went through the roof – to the label’s surprise – Abdul’s choreographer talent paid off, as the video had to be hastily put together – only to win a whopping four MTV Music Awards that year.

My personal favourite bit about the song is when my significant other performs her karaoke version of it. She’s been practising it ever since childhood and it never fails to turn my knees to jello.

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