a primer to music pop culture from the eighties to the noughties

Category: 1997

Songs published in 1997

Illustrious Marionette

In our ongoing journey, we are covering many exceptional songs. But from time to time we also have to give a nod to the terrible ones. Some atrocious anthems turned into massive master-strokes and in order to have a holistic education you obviously need to know about these as well.

So without further ado we present the Danish-Norwegian band Aqua. Mostly considered a one-hit wonder outside their native countries they landed a huge international hit with “Barbie Girl” that in the UK to this day remains one of the best-selling singles ever. It certainly did not hurt sales that they were sued by Mattel, the manufacturer of the eponymous doll (Mattel lost, being advised to “chill” by the judge).

Shortly after the lawsuit Mattel changed the proportions of the doll slightly – for only the third time since the first models were sold in 1959.

Immortalised Shredding

Songwriters Anne Preven and Scott Cutler of the LA based band “Ednaswap” wrote “Torn” in 1991 together with Phil Thornalley, with Preven taking inspiration for the devastation chronicled in the song from her work in a mental hospital in New York that dealt with suicidal juveniles as a teenager. It was first recorded two years later in Danish and had its English debut by Ednaswap, but none of this recordings took off.

That changed when Natalie Imbruglia, who was known to a broader audience from the immensely popular Australian soap opera “Neighbours” started a second career as a singer and released a version of the song as her debut single in 1997. Not immediately though, at least in the US, where the song was proposed to a number of record labels and turned down repeatedly – only to have the same people bending over backwards to seal the deal when the song exploded on the UK charts.

Alison Maclean, who shot the video was able to create a very intimate feeling by combining acting (recreating a scene from the 1972 erotic drama “Last Tango in Paris”) with footage from breaks, where the actors were not aware that the camera was still rolling.

Back From The Void

When the Backstreet Boys, who had released their first album on an international market in 1996 and were already hugely successful in Europe told Jive Records president that they wanted to include a song called “Backstreet’s Back” – written by Swedish hitmakers Max Martin and Denniz Pop – on what was to be their debut album in the US, and even release it as a first single, he was having none of it. It was kind of hard to argue back from where exactly (the band argued back in the states, but didn’t get their way). And so the first million copies of the US album was produced without the track. Only when Radio stations close to Canada – where the song quickly caught on – started picking up the track and playing it, too, he relented and the track finally made it into the rest of the albums produced.

The song became a huge success in the states as well, but when it was time to produce the video (with director Joseph Kahn who so far had done mostly Hip-Hop and Grunge videos and wanted to diversify into pop) and it was decided to lean on Michel Jackson’s famous “Thriller” with a side-serving of the Rocky Horror Show, with their bus supposedly breaking down and them having to look for shelter in a haunted mansion, the label went through the same spiel again, arguing that MTV would not go for the concept. So the band funded the video themselves and had to fight hard to get reimbursed once the video – again – was quite successful after all.

It won “Best Group Video” in 1998’s Music Video Awards.

Global Carousel

144 times. That’s the number of repetitions the one and only sentence in Daft Punks’ “Around the World” gets. Does that make the song Gross? On the contrary!

The video is resembling the structure of the song quite closely: There are five instruments, and therefore five groups of characters. Robots for voice (apparently powered by the program you wrote back then for that “introduction to algorithms” class, by the looks of their collision reactions 😋), athletes for the bass, disco dancers for the keyboard, skeletons for the guitar (in a divergence to their traditional role in Saint-Saëns’ “Le Carnaval des Animaux”) and last, but not least: mummies for the drums.

A meticulously planned mathematical companion to a catchy tune? Count me in!

Organic Robotic Love

Originally released on her 1997 album “Homogenic”, Björk re-released “All Is Full Of Love” as a single in 1999, accompanied by a video (with a slightly different version) that featured what was back then certainly the most stunning computer animation that had ever been seen outside of lab demos. I remember being completely wowed when it first flickered across my screen. It would go on to be presented in art exhibitions and even was on display in New York City’s Museum of Modern Arts.

The song was written as an ode to spring, as Björk had spent a rough six winter months in the Icelandic mountains and was very glad to hear birds sing again on a cold April morning walk. And Chris Cunningham, having been approached by Björk to film the video, took up the theme of procreation for the video, ingeniously finding a way to make it quite explicit, yet in a way that would not incite censor’s wrath.

Powered by WordPress & Theme by Anders Norén